Industry References

  • “I witnessed Michael take on a very ambitious period film with lots of locations, costumes and scope. Despite the constraints of a tight budget, he was able to deliver something exceptional for the producing team and Netflix.”

    — Andrew Lazar, Producer - ‘Persuasion’

  • "He raises everyone’s game who surrounds him because he is a combination of passionate and prepared, and an ally to other departments. He is also a self-made man who works much harder than most of his contemporaries. He is the only British Producer I’ve encountered who answers emails on weekends and works American hours and style. He is a gem."

    - Sarah Schechter, Producer - Red, White & Royal Blue

  • "It would be hard to find a partner as reliable, professional, modest, knowledgeable, and in complete control of the production as Michael Constable."

    — Fred Berger, Producer - ‘Teen Spirit’

  • “In short, he’s someone I would hire again whenever he’s available. For a man that is relatively young he has the experience of someone twice his age. He is a rising star!”

    — Kevin King-Templeton, Producer - ‘The Expendables 4’

  • "I would work with him again in a heartbeat and think he is a major asset to any production"

    — Ben Wheatley, Director - ‘Free Fire’ & ‘Happy New Year, Colin Burstead’ & ‘In the Earth’

  • “Alison Owen and I have produced a great number of films in all budget ranges and Michael is amongst the best line producers either of us have worked with.”

    — Debra Hayward, Producer - ‘How to Build a Girl’

  • "His dedication, professionalism and ability to get things done under any circumstances make him a credit to our profession"

    — Uberto Pasolini, Director/Producer - ‘Still Life’

  • “Pathe particularly valued Michael’s collaborative attitude and ability to deliver on the requirements of all Pathe’s departments – Production, Business Affairs, Finance, Marketing, Distribution.”

    — Fiona McGuire, Head of Production - Pathe

  • “He is always conscious of the creative overview of the film, whilst never taking his eye off the fiscal detail. He is supportive and sympathetic with the vision of the director and producers, whilst always making sure that the production staff and crew are being kept happy and on side.”

    — Alison Owen, Producer - ‘How to Build a Girl’

  • "Michael is an exceptional problem solver, quick to notice when a problem might arise and also to suggest possible solutions and outcomes."

    — Gail Egan, Producer - ‘Final Portrait’

  • "If you’re lucky enough to get the chance to work with Michael Constable you will never want to make a movie without him again."

    — Max Minghella, Director - Teen Spirit

  • “A huge part of the success of our production was down to Michael; his diligence and hard work. Aside from that, he’s a lovely, fun guy who I’d definitely want on my team again (if I can get him!).”

    — Nicky Bentham, Producer - ‘The Duke’

  • "Simply put, Michael Constable delivers."

    — Graham Henman, Director - ‘Bone in the Throat’

  • "He is definitely in my 'must call' list for future projects"

    — Andy Starke, Producer - ‘Free Fire’, ‘Happy New Year, Colin Burstead’ & ‘In the Earth’

  • "Michael is for me the perfect Line Producer. I know that the production is completely safe in his hands, and that he will always do what’s best for the film"

    — Olivier Kaempfer, Producer - ‘Borrowed Time’

  • "He is a good communicator and capable of dealing with all aspects of production"

    — Neil Calder - Film Finances Ltd

  • "Michael always kept a firm eye on the schedule and budget; whilst maintaining a good rapport with both the cast and crew."

    — Wayne Marc Godfrey & Robert Jones, Producers - ‘Final Score’

  • "Michael Constable was not only an absolute pleasure to work with but was fundamental to delivering our film on budget and on time."

    — Julia Godzinskaya, Producer - ‘My Brother the Devil’

  • "He has proved incredibly hard working and adept at managing any sort of situation. "

    — Peter La Terriere - Film Finances Ltd